Poor old Marks and Spencer have had some stick this week. Shareholders got very ratty at their AGM. The problem is, most of Marks' customers are aged 45 and over, but most of their clothes are aimed at the yoof generation, who wouldn't be seen dead in there. Same issue at the BBC, where they're all too happy to kill Gardeners' World for a month because of sport, but wouldn't dream of axing any of the dross on BBC3 aimed at teens.
Liz Jones, unusually for once, offered some good advice to M and S in the Mail. They need to go upmarket. Yes yes yes! We support their Plan A, and having clothes made ethically, but they really need to charge more because the quality has become terrible. Cheap clothes that fall apart are literally ten a penny in places like Primark, Tesco and Sainsbury's.
Before my holiday I tried to buy a simple pair of white shorts and white three-quarter length trousers. Simples, as the mir cats would say. But no -- M and S only had really bad quality versions that were clingy and unflattering.Or linen, which no-one in their right mind buys. I couldn't believe it. I already have some white knee-length cotton shorts, purchased from Marks and Spencer four years ago, that I still wear. They still look immaculate.
As Liz said, we want more cashmere, and more scoop neck jumpers please; and fewer lairy colours. Cashmere jumpers in navy, black, cream, red, camel work so well for work. Dresses with sleeves, yes please - and dresses that try to give us a waist, rather than the shapeless sacks M and S favour for workwear. Things that are a bit more edgy, but less embellished. More variety in the cut and shape of jackets: not so many boxy or straight jackets.
Please get rid of Per Una altogether. I can't understand who would wear those ghastly voluminous crinkly skirts and flouncy tops. Everything is far too overdone with sequins, lace, buttons. Some simple maritime themed basics would be great: it is impossible to find a good quality scoop neck with short or three-quarter length sleeves t-shirt in M and S.
My mum is 80, and she and her friends are shopaholics. They're forever buying clothes! But even she thinks the Classic Collection is too old fashioned. She wants bright colours, but things like the 2-piece camisole sets that M and S used to sell - flattering for older ladies - and more of the Manifesto trousers that manage to be stylish while having an elasicated waist.
Some good news: I read that M&S are trialling a high-end cosmetic zone. Great idea! Apparently it will sell cult brands, the sort you can get in Space NK.I love the stuff sold in Space NK, but sometimes when I look into a store, it's empty and that puts me off because I'm afraid of being sold to. I like the way you can browse high end cosmetics in Boots without being hassled, but they don't sell very many trendy brands, so M&S could be onto a winner.
M and S, please let the teens shop in Topshop, Primark, etc. Concentrate on the older demographic, but think more elegance; more flattering and better quality. And improve the store layout and the changing rooms (that horrific lighting!). You can get rid of most of the famous models in your ads (but bring back Dervla in the food ads). And things will improve. Simples!
Miscellany and detritus, from the writer of Is This Mutton?com
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Saturday, July 14, 2012
Thursday, January 31, 2008
Bring back decent TV
Heaven forbid that I would mention the licence fee (too Disgusted of Tunbridge Wells for words), but it crossed my mind as I idly perused the TV guide that we watch hardly anything on the BBC channels these days. I am watching Masterchef, I own up to that, although I'm heartily fed up with the knowing looks that Torode exchanges with the "ingredients expert" (grocer) Wallace.
We also watch Coast, where I am fascinated by the umbrella that Nicholas Crane carries everywhere but never uses; and sometimes we like the costume dramas, although Lark's Rise to Candleford is the most appalling old tosh and didn't survive beyond the second week.
The various "comedies" don't get a look in, nor the tired old formats of Have I Got News For You, Never Mind the Buzzcocks, Top Gear, etc etc.
(On the subject of comedies, does anyone really find "My Family" funny?).
"Extras" is OK sometimes; "Jam and Jerusalem" is very unfunny, which is sad considering the talent appearing in it.
We watch even less on ITV. Make that nothing on ITV.
I'm really hoping that 2008 is the year we turn against the reality shows. They were all OK when they first started and the people appearing on them weren't cynical or manipulated by the producers. Now most of these shows show the levels to which human nature can sink. Those various X Factor entertainment type shows manipulate those who take part and those who watch. People have recently told the papers about how they were forced to say x or y in shows like Wife Swap to make them more controversial. We glorify foul mouthed dysfunctional families like the Osbornes.
And don't get me started on the programmes which humilate the obese. Every week, the contents of someone's fridge is displayed and laughed at. In the ridiculous "Supersize v Superskinny," we're allowed to laugh at the eating habits of thin people too! I wish programmes would take obesity seriously and stop parading hectoring "experts" or patronising doctors.
All in all, it's a bleak picture. I would love to see the return of good old family entertainment. Shows with a feel good factor.
Strictly Come Dancing is a fabulous example because it can't really be manipulated (although the judges now bitch and moan similar to those on the X Factor). Dancing on Ice was hyped up this year to try to capitalise on the SCD factor but I turned off after the first 20 minutes. The music drives you mad and the staging looks very cheap and tacky.
Here's an idea for Channel 4. With all our prison overcrowding, why don't they introduce a show like "The Running Man" which stars real life convicts? To add a bit of spice it could be presented by a couple of disgraced or forgotten TV presenters. How about John Leslie.
If you see it in the next few months remember you read about it here first!
We also watch Coast, where I am fascinated by the umbrella that Nicholas Crane carries everywhere but never uses; and sometimes we like the costume dramas, although Lark's Rise to Candleford is the most appalling old tosh and didn't survive beyond the second week.
The various "comedies" don't get a look in, nor the tired old formats of Have I Got News For You, Never Mind the Buzzcocks, Top Gear, etc etc.
(On the subject of comedies, does anyone really find "My Family" funny?).
"Extras" is OK sometimes; "Jam and Jerusalem" is very unfunny, which is sad considering the talent appearing in it.
We watch even less on ITV. Make that nothing on ITV.
I'm really hoping that 2008 is the year we turn against the reality shows. They were all OK when they first started and the people appearing on them weren't cynical or manipulated by the producers. Now most of these shows show the levels to which human nature can sink. Those various X Factor entertainment type shows manipulate those who take part and those who watch. People have recently told the papers about how they were forced to say x or y in shows like Wife Swap to make them more controversial. We glorify foul mouthed dysfunctional families like the Osbornes.
And don't get me started on the programmes which humilate the obese. Every week, the contents of someone's fridge is displayed and laughed at. In the ridiculous "Supersize v Superskinny," we're allowed to laugh at the eating habits of thin people too! I wish programmes would take obesity seriously and stop parading hectoring "experts" or patronising doctors.
All in all, it's a bleak picture. I would love to see the return of good old family entertainment. Shows with a feel good factor.
Strictly Come Dancing is a fabulous example because it can't really be manipulated (although the judges now bitch and moan similar to those on the X Factor). Dancing on Ice was hyped up this year to try to capitalise on the SCD factor but I turned off after the first 20 minutes. The music drives you mad and the staging looks very cheap and tacky.
Here's an idea for Channel 4. With all our prison overcrowding, why don't they introduce a show like "The Running Man" which stars real life convicts? To add a bit of spice it could be presented by a couple of disgraced or forgotten TV presenters. How about John Leslie.
If you see it in the next few months remember you read about it here first!
Thursday, December 20, 2007
Oliver Twist hits the mark
As far as Oliver Twist is concerned, I am a hard nut to crack. As a child I was bowled over by the Lionel Bart musical, film version, and bought the book and the record. I still love that film, and when I saw Roman Polanski's version a couple of years ago, it just didn't compare.
So it was with sore misgivings that I started watching the BBC's new adaptation, being broadcast for four days this week. But what a treat! I am even starting to think my perceptions of the film are very overrated as the character development was minimal.
In the BBC version, the characters are all richly drawn. Even Oliver, who has always appeared too wimpy and submissive for my liking. He behaves like you would expect a child incacerated in a workhouse, beaten and starved, to behave. He is feisty but, confronted with the love that he desperately craves, trusting and open.
I'm looking at Mr Brownlow in a new way too. In the film he comes over as a nice enough old cove, happy to take in a rugamuffin. In this version, he is anguished and sad, and we learn why.
I'm also seeing Fagin in a new light thanks to Timothy Spall's sensitive portrayal. In the film he's all avarice and picking pockets (or two). In this version, we wonder about his background, his heritage.
All in all, it's a magnificant version and I'm really enjoying it. The only character to me who seems weak is Bill Sikes, but I probably am a bit biased in that to me, the Oliver Reed version will be hard to beat. He had much more menace and charisma.
Another treat, The Old Curiosity Shop, awaits us next week; and there's also a re-run of David Copperfield, starring Daniel Radcliffe before he was Harry Potter, on one of the satellite channels. This is all good news for those of us who like Dickens and loathe Jane Austen! Let us hope the fashion for Pride and Prejudice and all those other twee, arch dramas has now passed, and maybe we will see more from Dickens, George Eliot and, heaven forbid, Thomas Hardy.
So it was with sore misgivings that I started watching the BBC's new adaptation, being broadcast for four days this week. But what a treat! I am even starting to think my perceptions of the film are very overrated as the character development was minimal.
In the BBC version, the characters are all richly drawn. Even Oliver, who has always appeared too wimpy and submissive for my liking. He behaves like you would expect a child incacerated in a workhouse, beaten and starved, to behave. He is feisty but, confronted with the love that he desperately craves, trusting and open.
I'm looking at Mr Brownlow in a new way too. In the film he comes over as a nice enough old cove, happy to take in a rugamuffin. In this version, he is anguished and sad, and we learn why.
I'm also seeing Fagin in a new light thanks to Timothy Spall's sensitive portrayal. In the film he's all avarice and picking pockets (or two). In this version, we wonder about his background, his heritage.
All in all, it's a magnificant version and I'm really enjoying it. The only character to me who seems weak is Bill Sikes, but I probably am a bit biased in that to me, the Oliver Reed version will be hard to beat. He had much more menace and charisma.
Another treat, The Old Curiosity Shop, awaits us next week; and there's also a re-run of David Copperfield, starring Daniel Radcliffe before he was Harry Potter, on one of the satellite channels. This is all good news for those of us who like Dickens and loathe Jane Austen! Let us hope the fashion for Pride and Prejudice and all those other twee, arch dramas has now passed, and maybe we will see more from Dickens, George Eliot and, heaven forbid, Thomas Hardy.
Labels:
BBC,
Oliver Twist,
Timothy Spall
Wednesday, May 02, 2007
Abolish vile premium rate phone-ins
I was hoping that the recent scandals around TV show phone-ins would result in some big changes. I wasn't naive enough to assume they would go away - clearly the broadcasters, production companies and telephony companies are making too much money for that to happen - but I was hoping the watchdog would set some rules.
Fat chance. Another toothless watchdog with some pathetic guidelines. "Callers should be told when they've spent £10 or more. Callers should be told how many other people have rung in." Duh. How about: callers should be told that contrary to what the programme is telling you, the winner has been chosen, so hang up now? Or that your chances of winning are virtually zero so why waste a pound, loser?
I just happened to catch the last few minutes of a BBC children's TV programme just now, "Extreme Animals." I was horrified to see a phone-in at the end, with kids being urged to call a premium rate number to vote for their favourite animal. This is such appallingly bad TV, and so greedy for the BBC to try to fleece parents' phone bills.
I would like to see the regulator ban phone-ins from all children's programmes plus phone-ins which are not linked to a public vote, for example Big Brother, the shows to select pop stars / musical stars and Eurovision. Let's scrap the rest. We should treat viewers with more respect rather than urging them to waste money on voting for their favourite animal or which meal the chef should cook. After all, as we now know, the chef has already cooked the meal, Richard and Judy's winner has already been chosen and the GMTV ten grand challenge doesn't bother with you if you live in a block of flats or somewhere inaccessible for cameras.
Fat chance. Another toothless watchdog with some pathetic guidelines. "Callers should be told when they've spent £10 or more. Callers should be told how many other people have rung in." Duh. How about: callers should be told that contrary to what the programme is telling you, the winner has been chosen, so hang up now? Or that your chances of winning are virtually zero so why waste a pound, loser?
I just happened to catch the last few minutes of a BBC children's TV programme just now, "Extreme Animals." I was horrified to see a phone-in at the end, with kids being urged to call a premium rate number to vote for their favourite animal. This is such appallingly bad TV, and so greedy for the BBC to try to fleece parents' phone bills.
I would like to see the regulator ban phone-ins from all children's programmes plus phone-ins which are not linked to a public vote, for example Big Brother, the shows to select pop stars / musical stars and Eurovision. Let's scrap the rest. We should treat viewers with more respect rather than urging them to waste money on voting for their favourite animal or which meal the chef should cook. After all, as we now know, the chef has already cooked the meal, Richard and Judy's winner has already been chosen and the GMTV ten grand challenge doesn't bother with you if you live in a block of flats or somewhere inaccessible for cameras.
Labels:
BBC,
GMTV,
Richard and Judy
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